🌻 The Leading Online Digest of Oscar Wilde Studies
Given that the most familiar impression of Oscar Wilde derives from photographs taken by Napoleon Sarony, a retrospective of the famous nineteenth-century portraitist should be much anticipated by Wildeans, particularly as Sarony has for some time been a neglected figure. Erin Pauwels’s new book attempts to redress the balance.
Continue reading “Penn Pictures”
—by John Cooper—
Those of us, like Mrs Cheveley, who are fond of calling things by their proper name, would struggle to categorize Declaring His Genius, by Roy Morris, Jr.
Let us start with what this book is not. It is not profound enough to be a serious biography of an American Wilde—and, to be fair, it might never have been published if it were. Besides, one would not expect such an approach of a book that asserts that ‘Wilde may well have been a genius—at self promotion, if nothing else’ [my emphasis], which makes one wonder whether the author is convinced enough of Wilde as a thinker or writer to produce a critical study.
But neither is the book what it purports to be, which is an account of Wilde’s time in America—at least not exclusively. This is because the Wilde story Morris gives us is full of holes. By this I am not referring to the wealth of factual errors throughout the text which need only be problematic for the Wilde historian. As such there is no need to dwell on them here, beyond noting that the Introduction signals this disregard for integrity by adhering to remarks that sound ‘like something Wilde would have said’, explaining that the book ‘depends to a certain extent on anecdote, word of mouth, and local legend.’
—[See web site for list of scholarly errata]—
No, by holes I mean the opportunistic detours the book takes from a rounded theme of Wilde’s American tour which Morris fills with square pegs. The result is a flawed schema that places its protagonist amid an anthology of sometimes tangential, but often downright irrelevant, populist history.
Continue reading “Identity Crisis”