Article

Faulty Basil



My recent article Basil Hallward showed how Charterhouse Press in the era of unauthorized publications added a preposterous preface to their 1904 edition of Oscar Wilde’s The Picture Of Dorian Gray.

To summarize: their idea with this so-called “Artist’s Preface” was to pass off the novel’s fictional painter, Basil Hallward, as a real person who in 1884 had known Wilde and a Radiant Youth—a “Dorian” prototype—and this meeting was supposedly the origin of Wilde’s novel released six years later.

The problem with the preface, apart from its implausibility, was that it would be slightly more plausible had it been written by someone other than the fictitional Basil Hallward.

Continue reading “Faulty Basil”
Article

Basil Hallward



In Chapter XIII of Oscar Wilde’s novel The Picture of Dorian Gray the painter, Basil Hallward, is brutally murdered by the still innocent-looking Dorian Gray whose “gracious and comely form he had so skilfully mirrored in his art”1 eighteen years earlier.

But Basil, creator as he was of Dorian’s parallel life, was a resourceful fellow, and he was not about to let the mere fact of a frenzied knife attack, fatal though it was, prevent him from conducting his own secondary existence.

And so it was that Basil Hallward reappeared in 1904 to write the preface to a new edition of the very book in which he had long since died.

Continue reading “Basil Hallward”