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Turn of the Crank


Oscar Wilde on Machines

The irresistible force of the industrial revolution meets the
immovable objection of the aesthetic movement.


The reasons for Oscar Wilde’s much-heralded lecture tour of America seemed clear enough: to promote Gilbert & Sullivan’s latest operetta, Patience, while conducting a series of lectures on subjects of his own choosing.

At least that was the undertaking devised by the theatrical impresario Richard D’Oyly Carte.

Any suggestion that Oscar might, meanwhile, attempt to inculcate the American masses with what he perceived as much-needed ideas about art and aesthetics, would be entirely ulterior.

But Oscar made it his self-imposed mission to do just that.

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Article

Cowboys and Indians

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Lecturing in the midwest
Oscar Wilde meets pioneers and native Americans

Above is Boyd’s Theatre and Opera House in Omaha, Nebraska, as it was when Oscar Wilde lectured there.

If the surroundings look a little unmade (and Oscar complained about Omaha’s muddy streets) it was to be expected—in 1882 the midwest of America was still a place of frontier development, something that the people of St. Paul ironically accepted:

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By the time Wilde arrived in Omaha in March 1882, the geography of his American adventure had started to take shape.

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