The Judas Kiss focuses on two crucial moments in Oscar Wilde’s life
I was asked by the Brooklyn Academy of Music (BAM) to provide an article for their blog in anticipation of David Hare’s forthcoming play The Judas Kiss. It is republished here, slightly amended, followed by a link to a moving article by Ruper Everett on playing Oscar.
The Judas Kiss, coming to the BAM Harvey Theater May 11—Jun 12, marks a historic return of the Irish poet, dramatist, and wit Oscar Wilde.
This is not a revival of one of Wilde’s works which have been staged several times at BAM over the years. It is a return, in a sense, of Wilde himself—significant because no one has appeared as Oscar Wilde at BAM since Wilde himself did it 134 years ago on a nationwide lecture tour.
The present embodiment by Rupert Everett is a fitting parallel because in 1882 Oscar was also playing a part—masquerading as the poster boy for Gilbert and Sullivan’s Patience, a comic opera poking fun at the aesthetic movement.
Continue reading “Turning Points”