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Identity Crisis


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Book Review: Declaring His Genius, Oscar Wilde In North America
by Roy Morris, Jr.

—by John Cooper—

Those of us, like Mrs Cheveley, who are fond of calling things by their proper name, would struggle to categorize Declaring His Genius, by Roy Morris, Jr.

Let us start with what this book is not. It is not profound enough to be a serious biography of an American Wilde—and, to be fair, it might never have been published if it were. Besides, one would not expect such an approach of a book that asserts that ‘Wilde may well have been a genius—at self promotion, if nothing else’ [my emphasis], which makes one wonder whether the author is convinced enough of Wilde as a thinker or writer to produce a critical study.

But neither is the book what it purports to be, which is an account of Wilde’s time in America—at least not exclusively. This is because the Wilde story Morris gives us is full of holes. By this I am not referring to the wealth of factual errors throughout the text which need only be problematic for the Wilde historian. As such there is no need to dwell on them here, beyond noting that the Introduction signals this disregard for integrity by adhering to remarks that sound ‘like something Wilde would have said’, explaining that the book ‘depends to a certain extent on anecdote, word of mouth, and local legend.’

—[See web site for list of scholarly errata]—

No, by holes I mean the opportunistic detours the book takes from a rounded theme of Wilde’s American tour which Morris fills with square pegs. The result is a flawed schema that places its protagonist amid an anthology of sometimes tangential, but often downright irrelevant, populist history.

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The Portrait of Mr WHYY


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Following my appearance on the truncated piece about Wilde on WHYY TV’s Articulate with Jim Cotter, I appeared today on Radio Times with Marty Moss-Coane, WHYY’s flagship radio interview show, that examines local and national news, current trends, and ideas.

I was a guest along with countertenor DAVID DANIELS, who plays the Oscar Wilde in the opera Oscar, and the composer  THEO MORRISON, to talk about Wilde and his imprisonment, which is the main theme of the opera.


WHYY’s PBS Radio Times (Air Date: February 9, 2015)

Guests: David Daniels, Theodore Morrison, John Cooper
The new opera Oscar, about the life of legendary flamboyant writer, Oscar Wilde, is billing itself as the first openly gay opera in history. The show is currently running at Opera Philadelphia, so today we are joined by the star of the show, famed countertenor DAVID DANIELS, who plays the shows titular character. We’re also joined by Oscar’s composer, THEODORE MORRISON, and by Oscar Wilde historian, JOHN COOPER.

Radio Times Episode: The new Oscar Wilde-based opera, “Oscar,” comes to Philadelphia

© John Cooper, 2015.


Related:

Oscar Wilde’s story: The Portrait of Mr. W. H.


Announcement

A Wilde Winter in Philadelphia



Philadelphia is the place for Wildeans this Winter

A catalyst and centerpiece of current Oscar Wilde activity is the Morrison/Cox opera Oscar which had its world premiere in Santa Fe, NM, last year to generally favorable reviews of its singers, orchestra, conductor Evan Rogister, and overall production values. 

Critics can look forward to an updated libretto for the East Coast premiere.

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