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Cowboys and Indians

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Lecturing in the midwest
Oscar Wilde meets pioneers and native Americans

Above is Boyd’s Theatre and Opera House in Omaha, Nebraska, as it was when Oscar Wilde lectured there.

If the surroundings look a little unmade (and Oscar complained about Omaha’s muddy streets) it was to be expected—in 1882 the midwest of America was still a place of frontier development, something that the people of St. Paul ironically accepted:

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By the time Wilde arrived in Omaha in March 1882, the geography of his American adventure had started to take shape.

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Executive or Decorative

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Oscar Wilde’s Bloomington lecture

Local councillors in Bloomington, IL had a committee meeting arranged for the evening of March 10, 1882. The order of business was the town drainage: no doubt an event that would have passed without too much strain had Oscar Wilde not been announced to lecture on the same evening.

Inevitably the question arose for councillors with twin duties: which was the lesser of two evils? The tedium of Oscar’s lecture on art decoration, or, maintaining a quorum currently contemplating the size of local sewage lines.

Admittedly, it was a tough choice.

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Indecent Postures

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The summer game is upon us

With the reminder that Oscar Wilde mentions cricket in his earliest surviving letter and in his final poem.

In 1868, Oscar Wilde proudly wrote to his Mother that his school had beaten the visiting 27th Regiment at cricket by 70 runs1. Thirty years later, at the other extremity of his writing career, the first description Wilde gives us of Charles Thomas Wooldrige, the tragic dedicatee of The Ballad of Reading Gaol (1898), is that a cricket cap was on his head.

What, you may ask, do these bookends portend? Well, precisely nothing.

Or so I thought.

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Article

Identity Crisis

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Book Review: Declaring His Genius, Oscar Wilde In North America, by Roy Morris, Jr.

—by John Cooper—

Those of us, like Mrs Cheveley, who are fond of calling things by their proper name, would struggle to categorize Declaring His Genius, by Roy Morris, Jr.

Let us start with what this book is not. It is not profound enough to be a serious biography of an American Wilde—and, to be fair, it might never have been published if it were. Besides, one would not expect such an approach of a book that asserts that ‘Wilde may well have been a genius—at self promotion, if nothing else’ [my emphasis], which makes one wonder whether the author is convinced enough of Wilde as a thinker or writer to produce a critical study.

But neither is the book what it purports to be, which is an account of Wilde’s time in America—at least not exclusively. This is because the Wilde story Morris gives us is full of holes. By this I am not referring to the wealth of factual errors throughout the text which need only be problematic for the Wilde historian. As such there is no need to dwell on them here, beyond noting that the Introduction signals this disregard for integrity by adhering to remarks that sound ‘like something Wilde would have said’, explaining that the book ‘depends to a certain extent on anecdote, word of mouth, and local legend.’

[See web site for list of scholarly errata]

No, by holes I mean the opportunistic detours the book takes from a rounded theme of Wilde’s American tour which Morris fills with square pegs. The result is a flawed schema that places its protagonist amid an anthology of sometimes tangential, but often downright irrelevant, populist history.

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Oscar Wilde: Pants Down Again

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Another notable advertisement featuring Oscar Wilde on his lecture tour of America in 1882.
This time his pants.

Further to my recent post featuring advertisements that used Oscar Wilde’s name and image during his lecture tour, here is another notable example.

It shows Oscar in a quite demure pose as if he had something to hide. But fear not, he is exposed only below the knee.

Wilde’s long hair and knee-breeches excited many a soirée in 1882, prompting one commentator to note that Oscar “pants after” a certain celebrity, but that he should make it two because a pair of pants is something he obviously needs.

Advertisers, too, had Wilde’s trousers in mind. This example uses an image of a long-haired Oscar and the slogan Pants Down Again—presumably referring to the price. What advertisers did not realise was that Oscar would soon take the slogan literally.

When he returned to America in 1883, he had abandoned the signature long tresses and knee breeches, thus reversing the trend. Oscar confounded observers by wearing his hair up and his pants down once again.

© John Cooper, 2015.

NPG P1133; Oscar Wilde by Napoleon Sarony
Oscar Wilde in 1883.
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Oscar Wilde on Irish Poets

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Oscar Wilde’s lecture in San Francisco on Irish Poets

As San Francisco was the only city in America where Wilde lectured four times, he needed an additional lecture to add to the three he was already giving, which were: The English Renaissance, its evolutionary successor The Decorative Arts, and his usual alternative The House Beautiful.

[See Lecture Titles for the development of Wilde’s lecture topics].

Wilde chose as his subject Irish Poets and Poetry of the Nineteenth Century (referred to in some texts as The Irish Poets of ’48), an idea he had hinted at on St.Patrick’s Day in St.Paul, where he made a rare expression of Irish nationalist sentiment.

On that earlier occasion in St. Paul Wilde was called upon to give only an impromptu speech, and he talked in general terms about Irish achievement and how the English occupation had arrested, but not dimmed, the development of Irish art.

Now in San Francisco he created a full lecture1, in which he focused on an aspect of the arts closer to his knowledge and his mother’s heart: nineteenth century Irish poetry.

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Conspicuous (Even By His Absence)


Oscar Wilde could be found everywhere in 1882

The phenomenon of Wilde’s US ubiquitous prresence has been well-documented, most recently in David Friedman’s Wilde in America (2014) which portrays Wilde as being so intent upon fame that he had a strategy for achieving it—a view with much validity.

Whatever Wilde’s personal strategy was, however, his effort was compounded by other factors: his own tour publicity, the popularity of Gilbert and Sullivan’s Patience and its burlesques, and a general curiosity of the people to see him. As a result, one might wonder whether it is possible to be too well known.

Take the world of advertising.

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More on Boys’ Names

The source of Oscar Wilde’s pun on Ernest/Earnest

In an earlier article I attempted to show that in John Gambril Nicholson’s verse Of Boys’ Names (Wilde’s putative source of the Ernest/Earnest pun) there are other boys’ names with Wildean parallels.

Research now leads me to a further connection.

In a back issue of the publication The Book Collector (Summer, 1978), there is chapter about Nicholson’s 1892 Love in Earnest: Sonnets, Ballades, and Lyrics—i.e. the anthology that includes the verse in question.

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