Article

Double Take


—Another Photo Mystery—

You have probably seen both of these photographs on separate occasions over the years, and, if you’re like me, thought you had been looking at the same one—perhaps because Oscar looks about same in each.

But when they are viewed together it becomes clear they are not the same photograph. Everyone has moved slightly, Oscar perhaps the least. It is clear these are different pictures.

The photo on the left can be found in Ellmann (1987)—and, as far as I can see, nowhere else. The one on the right is only slightly more common, and can be found occasionally online, but rarely, if ever, in books.

Despite the relative rarity of these images, there is nothing mysterious about their production. Photographs were often taken in pairs like this, and Oscar Wilde became no stranger to them (see features below).

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Article

I Can Wait (Revisited)

Lotos Club New York.jpg
Oscar Wilde’s After-Dinner Rebuke to his Press Critics

It is pleasing to see that recent Wilde studies continue to highlight the emergent nature of Oscar’s American experience, during which time he nurtured the art of public speaking, conducted his first press interviews, staged his first play, had his iconic photographs taken, and stockpiled—to use an American word—material for his future epigrams and works.

But there is a crucial American beginning for Oscar that has been under-appreciated: I refer to his first brush with literary society. It occurred during an event at 149 Fifth Avenue in New York City, the then home of an organisation of journalists known as the Lotos Club.

Continue reading “I Can Wait (Revisited)”
Article

I Can Wait

Lotos Club New York.jpg
Oscar Wilde’s After-Dinner Rebuke to his Press Critics

Rewritten in 2019 for the Oscar Wilde Society newsletter. oscarwildesociety.co.uk/membership/

It is pleasing to see that recent Wilde studies continue to highlight the emergent nature of Oscar’s American experience, during which time he nurtured the art of public speaking, conducted his first press interviews, staged his first play, had his iconic photographs taken, and stockpiled—to use an American word—material for his future epigrams and works.

But there is a crucial American beginning for Oscar that has been under-appreciated: I refer to his first brush with literary society. It occurred during an event at 149 Fifth Avenue in New York City, the then home of an organisation of journalists known as the Lotos Club.

Continue reading “I Can Wait”