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L’Île d’Amour


Beg, Steal, and Borrow on Love Island

During July 1899 while in retreat from a sweltering Paris, Oscar Wilde spent some time at a small hotel called L’Ecu on L’Île d’Amour (“the island of love”) at Chennevières-sur-Marne.

He described the place a “a lovely spot—and island with trees and a little inn” at which he lodged by the river. While there, Oscar found rest, rowing, and even some romance. But it wasn’t all plain sailing.

Wilde was very hard up and in fear of being hounded by the agent of his Paris hotel who wished to settle his unpaid bill. He sent a telegram to his publisher, Leonard Smithers, asking for a loan. He wrote to Frank Harris enquiring if he had any spare cash for a handout. And, to make matters worse, a scoundrel acquaintance stole money from him before abruptly leaving the resort. However, Oscar muddled through, and by the end of the month he was back in Paris moving out of a hotel he could not afford, and into one that he could—a much more humble abode where he lived and where eventually he died.

As we enter the dog days of this year, here in memory of Oscar’s last real holiday are a few period photographs and postcards of the surroundings of his little love island, to give you a sense of where, for one last short summer, he talked pleasingly to new friends and wrote pleadingly to old ones.

© John Cooper, 2022.

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Article

Something To Declare

The Oscar Wilde Calendar
Frank & Cecil Palmer Ltd., London 1910 [Mason 637-9]
(Author’s Collection)
A New Earliest Example of Wilde’s ALLEGED Remark:

I have nothing to declare except my genius?

In my latest post I referenced the godfather of Oscar Wilde researchers, Stuart Mason, in connection with his unique scrapbooks of Wilde ephemera.

“Stuart Mason” was, in fact, the pseudonym of Christopher Sclater Millard, who produced Wilde’s first, and finest, bibliography, a decade-long study he conducted alongside his many other Wildean pursuits including authoring Wilde books, being his staunch defender, of the man, and sharing his experience as a fellow victim of state-sanctioned homophobia and imprisonment. He was also, crucially to our story, at one time the private secretary to Wilde’s literary executor Robert Ross, in whose circle he was intimately entangled.

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Rediscovered II

Oscar Wilde, 1889. One of series by W & D Downey, Ebury Street, London, S.W.

You may recall the rediscovered photograph of Oscar Wilde (similar to the one above) that I featured in this post — where it was effectively published for the first time in almost 130 years.

The photograph had originally appeared in the March 10, 1893 issue of the Westminster Budget, in an article titled “Mr. Wilde’s Forbidden Play” about Oscar’s French work Salomé.

At the time of that earlier post I expressed the hope is that an original print might come to light, and one has not done so yet. However, what has emerged is another copy of the newspaper, this time with a better quality image—now shown above.

So who do we have thank for this improved print?

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An Impromptu Lecture

botta.jpg
WILDE LETTER REVEALS IMPROMPTU ARRANGEMENTS

A previously unpublished autograph letter signed (ALS) by Oscar Wilde appeared a little while ago at auction in North Carolina. Aided by the letter’s evident authenticity and the fact that the consignor is a direct family descendant, it sold at auction for $5,500.

The item is a note sent by Wilde to Anne Lynch Botta, the 19th century doyenne of New York literary society, in which he expresses regret at not being able to attend a reception, owing to his impending departure for Canada.

We can use internal evidence from the letter to learn more about Wilde’s itinerary.

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Pony Tale

Rare postmark of the short-lived Pony Express (1860-61)

Today is April 14, a date noted in history for the assassination of Abraham Lincoln and the sinking of the Titanic. Not that Oscar Wilde had much to do with either event, although he once met the former President’s widow, Mary Lincoln, when she was living in retirement in New York City; and two of his friends died in the Titanic disaster.

But April 14 is also the 161st anniversary of the opening of the short-lived but historic Pony Express, and this, surprisingly, does give me an opportunity to talk a little about Oscar Wilde.

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Cloak of Mystery

In charting the cultural rehabilitation of Oscar Wilde in my article Finding Oscar, I alluded to the first appearances of him as character on screen.

I made reference to the well known bio-pics about Wilde released in 1960; before those he was in episodes of two separate UK and American TV series in 1958; and the erstwilde earliest Oscar could be found in a Canadian TV drama series of 1955.

Now the bar has been lowered. Predating all of those Oscars was this brief portrayal (above) by a quite Wildean-looking actor complete with cane and green carnation.

The problem is that nobody seems to know who he was.

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