Article · News

Oscar Wilde on 9/11



Watch the Conversation: Original Broadcast on September 16, 2026

To mark the 25th anniversary of 9/11, Christine Nelson, in conversation with Philip Palmer, recalls one of the British Library’s most significant transatlantic partnerships: the exhibition Oscar Wilde: A Life in Six Acts, which originated in London and opened at the Morgan Library in New York in September 2001.

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News · Review

After Oscar


‘After Oscar’ by Merlin Holland
Reading Between the Lies1


Merlin Holland’s new retrospective of the societal and family legacy of Oscar Wilde has been over two decades in the making—which is understandable given the research necessary to counter what Holland describes as “…one of the longest continuous acts of hypocrisy in British history.”

The result is a historical accounting that alternates between biography and autobiography into a 700 page feat of storytelling.

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Article · News

On Dress



Oscar Wilde On Dress
Now in a New Updated and Expanded Artisan Edition.
www.oscarwildeondress.com


Back in 2012 I rediscovered Oscar Wilde’s essay “The Philosophy of Dress” and published it the following year in a limited hardback bibliophile edition. That publication represented the essay’s first appearance in book form, and the first posthumous release of a lost work by Wilde.

I am now pleased to introduce the book in an updated and expanded softcover artisan edition.

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Announcement · News

Sarah Snook Wins Tony Award



Sarah Snook Wins The Tony Award
The Picture of Dorian Gray’ on Broadway


As widely expected, and as prefaced in my review of the play, Sarah Snook tonight received the Tony Award for ‘Best Performance by an Actress in a Leading Role in a Play’—for her remarkable performance in an adaptation of Oscar Wilde’s novel The Picture of Dorian Gray.

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News · Review

Playing to the Camera



‘The Picture of Dorian Gray’ on Broadway
A Literary Review


The Tony Awards for excellence in Broadway Theatre were announced last week, and it was pleasing to see an adaptation of Oscar Wilde’s novel The Picture of Dorian Gray among the nominees.

The production is currently enjoying a limited engagement at Music Box theatre on W 45th St. in New York, after transferring from a successful run in London’s West End where it won two Olivier Awards. The Tonys are Broadway’s equivalent awards and ‘The Picture of Dorian Gray’ received six nominations—including Best Performance by an Actress (Sarah Snook), and Best Direction (Kip Williams).

It is a truly remarkable staging of the work, and as a segue into what makes it remarkable, it is worth alluding to a little known Oscar Wilde-related parallel in the history of the Tony Awards.

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Article · News

Wilde at the Vatican



Oscar Wilde Meets Pope Leo XIII
—Spring, 1900—


In the Spring of 1900, Oscar Wilde arrived at the Vatican, and like any tourist he had his photograph taken. He was on a Roman holiday to spend a little time with friends—but, as it turned out, he spent a lot of time with the Pope.

Wilde was no stranger to the Vatican. In April 1877 as he was returning from a tour of Greece with his Trinity College tutor, the Rev. John Mahaffy, when his friend David Hunter-Blair arranged an audience for him with the then Pope Pius IX.

23 years later in 1900, again in April, and just seven months before he died, Oscar met the current pontiff—this time the aging Pope Leo XIII.1

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Article · News

Oscar Brought To Life



The AI Oscar Wilde
From the Mystery Scoop Channel


The series History Brought to Life on You Tube’s Mystery Scoop channel uses the power of AI technology to turn a single still image into stunning animations for an immersive glimpse into history—it is a labor of love that demands immense effort, creativity, and talent to bring each figure to life.

I have been watching the impressive series of historical characters and finally Oscar Wilde has arrived in Volume 11.

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Article · News

Divided Opinion

Civic Monument or Public Art?

All statues are sculpted, but not all sculptures are statues.

A bronze bust titled ‘The Head of Oscar Wilde’ was installed recently on Dovehouse Green—a small London park not far from where Wilde lived in Tite Street, Chelsea,

It is a posthumous work by the Scottish sculptor and graphic artist, Sir Eduardo Paolozzi (1924—2005), made possible by a charitable foundation to mark the centenary of his birth, and its unveiling was also timed appropriately to occur on Oscar Wilde’s birthday.

The physical configuration of the piece renders our man of letters as a fallen and fractured figure. Metaphor this may be—but, absent a meaningful reading, its composition is inclined to suggest itself, ironically, as a symbol of divided opinion.

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