One could be forgiven for thinking that an article entitled Oscar Wilde in Sharon Springs is about Oscar Wilde in Sharon Springs, meaning his lecture there on August 11, 1882—not an unreasonable assumption.
But latterly such a conclusion would be only half right, because earlier this year the spirit of Oscar Wilde materialized once more in the small Catskills’ town.
While Beardsley’s brief career was cut short aged 25 by his death from tuberculosis, he made an impact as a brilliant and daring innovator who often caused controversy by using satirical imagery to push gender and sexual boundaries.
On view at the Grolier Club in New York City from September 8 through November 12, 2022 is ‘Aubrey Beardsley, 150 Years Young’—an exhibition drawn from materials in the Mark Samuels Lasner Collection in the UD Library, Museums and Press.
It began over 20 years ago with a guided tour of New York City where Oscar spent more time than anywhere else on the continent; and my work has since encompassed journeys to many places Oscar knew, several of which have including speaking engagements in places ranging from the same theatre of the upscale Newport Casino in Rhode Island where Oscar ushered in Mrs Vanderbilt with a witty remark, to the good folk of the Agriculture Resource Council at their Sunflower Soirée in a field in Maryland.
But never before I have replicated Oscar’s tour so closely as I shall on August 11, 2022, when, 140 years to the day that Oscar Wilde gave a talk in Sharon Springs, NY, as part of a Summer vacation in the Catskills, I shall be doing precisely the same. Or, more formally, I shall be delivering the Klinkhart Hall Arts Center’s inaugural Oscar Wilde Memorial Lecture.
The event is allied to the Arts Center’s wider Poetry Festival, an annual tradition established by Festival founder Paul Muldoon, the award-winning Irish poet and professor of poetry, at which distinguished poets are invited to read, talk about their work, and conduct poetry workshops, all free to the public.
COMPLEMENTARY ARTICLES IN THE CURRENT ISSUE OF THE WILDEAN
—A Publication of the Oscar Wilde Society—
During the less furtive period of his post-prison exile, many young men passed fleetingly through Oscar Wilde’s life, most of whom are either lost to posterity or little more than unidentified footnotes. But two such acquaintances have recently gained in renown, being recognized as adding interest, and even significance, to the Wilde story.
In February of 1900, Oscar Wilde wrote to his young friend and admirer, Louis Wilkinson, lamenting, ‘I am very sorry you are in correspondence with Langrel Harris [sic]. He is a most infamous young swindler, who selected me – of all ruined people – to swindle out of money. He is clever, but little more than a professional thief. He introduced himself to me, and induced me to make myself responsible for his hotel bills, left me to pay them, and stole money besides. What the French call “un sale individu”. Don’t write to him any more, or know him. But how did you know him? Please tell me by return.’1
In Merlin Holland and Rupert Hart-Davis’s magisterial 2000 edition of Wilde’s letters, a short note remarks – ‘This curiously named character [Langrel Harris] has eluded identification.’ In the past twenty years, however, the World Wide Web has grown ever larger and ever finer – and it has become possible to catch even such elusive figures – and recover something of their fugitive careers. And the career of Thomas Langrell Harris – as he was more properly called – was fugitive in more senses than one.
Oscar Wilde, 1889. One of series by W & D Downey, Ebury Street, London, S.W.
You may recall the rediscovered photograph of Oscar Wilde (similar to the one above) that I featured in this post — where it was effectively published for the first time in almost 130 years.
The photograph had originally appeared in the March 10, 1893 issue of the Westminster Budget, in an article entitled “Mr. Wilde’s Forbidden Play” about Oscar’s French work Salomé.
At the time of that earlier post I expressed the hope is that an original print might come to light, and one has not done so yet. However, what has emerged is another copy of the newspaper, this time with a better quality image—now shown above.
Oscar Wilde first met Natalie Barney when she was a little girl playing on the beach with her mother in 1882.1 But in this story we are going to fast forward to the other end of her life for a rare interview with her, in her 90th year, as she talks about both Oscar and Bosie.
A previously unpublished autograph letter signed (ALS) by Oscar Wilde appeared a little while ago at auction in North Carolina. Aided by the letter’s evident authenticity and the fact that the consignor is a direct family descendant, it sold at auction for $5,500.
The item is a note sent by Wilde to Anne Lynch Botta, the 19th century doyenne of New York literary society, in which he expresses regret at not being able to attend a reception, owing to his impending departure for Canada.
We can use internal evidence from the letter to learn more about Wilde’s itinerary.