Article

Oscar Wilde Poem — Analyzed

The Yet Unravished Roses Of Thy Mouth

Second in series of articles adapted from a larger text by the present author that appeared in the July 2022 (No. 61) edition of the ‘The Wildean’, the journal of the Oscar Wilde Society.

In the first article in this series we saw how a handwritten sonnet by Oscar Wilde titled ‘Ideal Love’ had come to light during a 2015 edition of the U.S. version of Antiques Roadshow. No not at all but thank you for your interest

Wilde had signed and dedicated the poem to an American journalist named Christian Gauss—a young man with whom he had become acquainted during his exile in Paris. But the poem was not new. Wilde had presented the same poem to a former lover, Lord Alfred Douglas, eight years earlier as ‘The New Remorse’.1 And four years before he met Douglas. he had already published it obscurely under the French title ‘Un Amant De Nos Jours’ (A Lover of Our Time) in the short-lived, literary magazine The Court and Society Review.2

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Article

Something To Declare

The Oscar Wilde Calendar
Frank & Cecil Palmer Ltd., London 1910 [Mason 637-9]
(Author’s Collection)
A New Earliest Example of Wilde’s ALLEGED Remark:

I have nothing to declare except my genius?

In my latest post I referenced the godfather of Oscar Wilde researchers, Stuart Mason, in connection with his unique scrapbooks of Wilde ephemera.

“Stuart Mason” was, in fact, the pseudonym of Christopher Sclater Millard, who produced Wilde’s first, and finest, bibliography, a decade-long study he conducted alongside his many other Wildean pursuits including authoring Wilde books, being his staunch defender, of the man, and sharing his experience as a fellow victim of state-sanctioned homophobia and imprisonment. He was also, crucially to our story, at one time the private secretary to Wilde’s literary executor Robert Ross, in whose circle he was intimately entangled.

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Philadelphia Freedom


The Digital Collection of Oscar Wilde
Documents at The Philadelphia Free Library

Readers will recall my visit to the New York Antiquarian Book Fair a couple of years ago where I was offered a very rare Oscar Wilde document.

It was a typescript of the (originally) unpublished portions of Wilde’s passive-aggressive prison masterpiece De Profundis.

It was prepared by Wilde’s literary executor, Robert Ross, for use in the 1913 trial when Lord Alfred Douglas (Oscar’s lover Bosie) sued a young Arthur Ransome for having the temerity to imply that a person he didn’t name just might have had a hand in Wilde’s downfall.

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Article

Finding Oscar


Wilde’s legacy: a personal response

Expanding on comments made as a member of a panel discussion at the Oscar Wilde Festival in Galway, Ireland, 2014.

by John Cooper


(I) RISE AND FALL

Finding Oscar Wilde during his lecture tour of America in 1882 presented few difficulties. Throughout the year he made hundreds of appearances in public and thousands in the press. But his transatlantic sojourn was not merely prolific, it was a surprisingly formative time that saw Wildean firsts in all aspects of his career. Professionally, he nurtured the art of public speaking, began lecturing, and conducted his first press interviews. In his personal life he entered a new sphere of poets, writers, and statesmen; and he embarked upon a lifelong pattern of occasionally earning, but of always spending, large sums of money. Creatively, he became increasingly familiar with formulating his thought into thesis, while socially he was gathering material and honing epigrams for use in his early essays, short stories, and dramatic dialogues. Perhaps most surprisingly, it was in America that he staged the first ever production of a Wilde play.1 And lastingly, it was in New York City that the predominant image we have of him was formed with a series of photographs taken by Napoleon Sarony. After America, one might say, Oscar had become famous for more than just being famous.

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Not surprisingly, given this degree of exposure and experience, contemporary opinion was that America had made a greater impression on Wilde than vice-versa. Supporting this view is the fact that his audiences, although they had attended his lectures, came to see rather than to hear him; and even though he was often personally liked, he was more often publicly ridiculed. Wilde’s maligned persona was so widespread that the ability to locate him in the abstract sense, even for those who had not seen him, also presented few difficulties. In sum: the breadth of his presence made Wilde familiar in person, and the stereotype of his character provided the measure of him as a personality.

We now see that Wilde cannot be so easily pigeon-holed.

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King’s Ransome

A Visit to the Book Fair

A Rare Typescript of “De Profundis”.

On a balmy Sunday lunchtime last Spring I found m yself in the refreshment area of the prestigious New York Antiquarian Book Fair.

A kindly stranger asked me: “Are you a dealer or a collector?” with an air of inevitability that suggested a third alternative did not exist. As I was that third alternative I hoped my response: “I’m just browsing,” would replace the probability of being neither with the possibility of being either.

However, it soon became apparent to me, if not to my new friend, that even the self-imposed rank of ‘browser‘ wildly overstated my standing as a potential customer.

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